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Nostalgia & Renewal Symposia

April 29, 2009 in Notices

NOSTALGIA & RENEWAL SYMPOSIA

June 26 & July 24, 2009

nos· tal· gi· a

1. responsible for the resurgence of interest in knitting debated at In the Loop: Knitting Past, Present & Future, a conference held at the Winchester School of Art in 2008 and recorded in the University of Southampton Knitting Archive[1]

2. apparent in such diverse territories as archaeology and tourism[2]

3. explorations of memory and material in new media[3]

4. Jamaican photographic archives and the study of dress[4]

5. red shoes[5]

6. authenticity and craft[6]

re· new· al

1. state of mind that believes creative textile practice can emerge from the current economic crisis with renewed authority and conviction

2. evident in the renewed social conscience of contemporary craft[7]

3. synthetic hair sculptures and the aftermath of hurricane Katrina, New Orleans[8]

4. creative process and the zeitgeist[9]

5. the curious phenomenon of manias[10] old and new

Nostalgia & renewal are defined by Jessica Hemmings and Linda Newington with shameless attention to their mutual interest in alternative approaches to the research of textiles. Further expanded definitions of the terms and their relevance to textile research will be debated at the following events:

June 26 @ Textile Conservation Centre, Winchester (nostalgia)

For bookings please contact Judith Horgan 02380 596986 / J.A.Horgan@soton.ac.uk

July 24 @ Edinburgh College of Art (renewal)

For bookings please contact Jessica Hemmings 0131 221 6199 / j.hemmings@eca.ac.uk

Cost £35 per day includes lunch. Concessions available £20 per day.


[1] Linda Newington, Head of Faculty Services in conversation with Tim Wildschut School of Psychology, University of Southampton

[2] Angela McClanahan, Lecturer in Visual & Material Culture, Edinburgh College of Art

[3] Clio Padovani, Textile Artist in conversation with Dr Jessica Hemmings, Associate Director of the Centre for Visual and Cultural Studies, Edinburgh College of Art

[4] Carol Tulloch, TrAIN Senior Research Fellow Black Visual Culture, University of Arts London

[5] Hilary Davidson, Costume Curator, Museum of London (tbc)

[6] Kevin Murray, online editor of the Journal of Modern Craft (via skype)

[7] Deirdre Nelson, Textile Artist

[8] Loren Schwerd, Artist (via skype)

[9] Michelle Anderson Binczak, Editor of Bloom magazine

[10] Elizabeth Kramer, Leverhulme Early Career Research Fellow, University of Newcastle

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Traditional craft: manufactured nostalgia or grass-roots resistance?

April 28, 2009 in theme

Cabinet maker at Upper Canada Village, Morrisburg

Cabinet maker at Upper Canada Village, Morrisburg

There are many situations when we might ask ourselves this question. We discover what appears to a wonderful authentic piece of traditional handicraft in a shop, only to find that is has been consciously engineered by some government department. Or we might have dismissed some local handicraft association, only to start thinking of it later as a site of constructive local culture.

In2.1 Journal of Modern Craft, a number of articles open up the issue of tradition in modern craft. So when is craft a manufactured nostalgia and when is it an active resistance to modernity? Please feel free to add your comments to the posts on this question. To learn more, you can read the print journal or download the selected articles:

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Journal of Modern Craft 2.1

April 4, 2009 in Table of Contents

The first issue of 2009.

Editorial Introduction.

Response

The Quilts of Gee’s Bend: How Great Art Gets Lost by Bernard L. Herman

Articles

Craft and the Dialogics of Modernity: The Arts and Crafts Movement in Late-Victorian and Edwardian England by Tom Crook

Support/Surface or Sculpture/Craft: Considering Barbara Hepworth and Bernard Leach by Penelope Curtis

“Traditional—with Contemporary Form”: Craft and Discourses of Modernity in Slovakia Today by Nicolette Makovicky

Queerly Made: Harmony Hammond’s Floorpieces by Julia Bryan-Wilson
Primary Text

The Designer, the Craftsman and the Manufacturer by David Queensberry
Statement of Practice

The Fiction of Form by Alison Britton
Exhibition

Reviews

Des Wahnsinns fette Beute—Schmuck an der Akademie der Bildende Künste München: Die Klasse Künzli By Liesbeth den Besten

M. Lee Fatherree’s Photography: Evidence of the Artist at Work by Meredith Tromble

Book Reviews

Foreign Bodies by James R. Beighton

Thinking through Craft by Love Jönsson

The Silk Weavers of Kyoto: Family and Work in a Changing Traditional Industry by Morgan Pitelka

To order a copy, go here.

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