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We join forces with the Critical Craft Forum

November 12, 2011 in Notices

The Journal of Modern Craft website aims to activate scholarly research by publishing blog posts on relevant themes and nurturing a global network of craft writers. While there are opportunities to interact on the website, for many the Facebook platform is a more accessible medium for response to issues of the day. Rather than set up an alternative Facebook forum, the Journal of Modern Craft is joining forces with the most lively group dealing with contemporary craft on Facebook.

Critical Craft Forum began to bring together voices from the breadth of craft-focused communities to deepen critical and analytical dialogue about craft and culture. The Facebook component is an open forum for dialogue. Annual sessions at College Art Association address critical questions and issues in the scholarship, study and creation of contemporary craft.

The various blog posts will now appear on the Critical Craft Forum Facebook site, feeding conversations. Meanwhile, its Facebook activity will also appear alongside posts in the Journal of Modern Craft website. In this way, we can at the same time capture the moment in lively Facebook conversations and retain a memory of enduring themes in archived blog posts.
If you do Facebook, you are encouraged to join Critical Craft Forum here.

The Best of Both Worlds: International Collaborations in Craft & Design

October 12, 2011 in Notices, Uncategorized

Readers (and writers) of Journal of Modern Craft in Delhi are welcome to attend this public forum.

The Best of Both Worlds: International Collaborations in Craft & Design
Saturday 22 October 2011 5-7pm
National Institute of Fashion Technology amphitheatre Green Park, New Delhi, India (see map)

Trent Jansen 'Sign stool' from reused road signs (limited edition)‘The Best of Both Worlds’ considers the increasing number of transnational partnerships being forged between craft and design. How can we combine the free-wheeling possibilities of modern capitalist world with the grounded meaning of cultural traditions?

Typically, a designer from a wealthy Western country seeks to produce something handmade using skills of a traditional artisan. While this does seem to reinforce global inequalities, it is often the best alternative for those seeking to sustain their craft. So how can designers and artisans work together in product development as a fair partnership? How can designers work with artisans in a way that respects their unique contribution? What is the role for Indian designers in these new transnational supply chains?

This forum is part of Sangam: The Australia India Design Platform, which is a three year program of events designed to promote creative design partnerships between Australia and India. It includes roundtables, forums and workshops in Melbourne and Delhi, Sydney and Ahmedabad, and Brisbane and Bangalore. To support partnerships, a code of practice for creative collaborations is being developed.

Come join in a public forum to consider the opportunities for craft and design through international partnerships. Hear from leading innovative designers and craftspersons in Australia and India, including Trent Jansen, Ishan Khosla, Matthew Butler and Sandra Bowkett. Consider the role of ethical consumerism in generating opportunities in craft, fashion, design and social justice.

Sangam (‘confluence’) is a strategic initiative of the Visual Arts Board (Australia Council) and supported by the Australia India Institute. It is located in the Ethical Design Laboratory, a research area of RMIT Centre for Design. Visit www.sangamproject.net for more information and register for updates.

Murano glass film

July 3, 2011 in Notices

From Patricia Ribault, a beautiful short film from a recent workshop on Murano glass:

ESAD - SALVIATI 2011 from Liran V.H on Vimeo.

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