Journal of Modern Craft 10.2

Editorial Introduction (full text available)

ARTICLES

The Fabricated Image: Pictorial and Textile Transpositions in the Work of Robert Gober by Sara Martinetti

Design and the Evolving Tradition of Sanganer Hand Block Printing: Formation and Negotiation Artisanal Knowledge and Identities Against the Backdrop of Intangible Cultural Heritage by Chamithri Greru and Britta Kalkreuter

The Secret Dollhouse: Craft and Resistance in Stalinist Estonia by Trinn Jerlei

STATEMENT OF PRACTICE

The Recrafting Traditions and Materializing Memories: A Conversation with Keri Ataumbi by Henrietta Lidchi and Keri Ataumbi

PRIMARY TEXT

Commentary by Stephen Knott

The Count of Monte Cristo (extracts) by Alexandre Dumas

EXHIBITION REVIEWS

Out of Hand: Materializing the Digital reviewed by Jessica Hemmings

Entangled: Threads of Making reviewed by Imogen Racz

Beyond Bling: Jewelry from the Lois Boardmand Collection reviewed by Barbara Paris Gifford

BOOK REVIEWS

Glass: Virtual, Real reviewed by Kathy Kranius

Crafting Design in Italy: From Post-War to Postmodernism reviewed by David Raizman

Journal of Modern Craft 9.3

Editorial Introduction (full text available)

ARTICLES

Renaissance and Resistance: Modern French Tapestry and Collective Craft  by Claire O’Mahony

The Materiality of Tapestry in the Digital Age by Julia Pastor

Amanda Ross-Ho’s White Goddess and the vintage Afterlife of Vintage Macramé by Susan Richmond

STATEMENT OF PRACTICE

Seep by Lisa Walker

PRIMARY TEXT

How Long is a Museum? Archives of the Museum of Contemporary Craft by Namita Wiggers

EXHIBITION REVIEWS

Ceramix: Ceramic Art from Rodin to Schütte reviewed by Glen R. Brown

Chiacho & Giannone: Monobordado reviewed by Patrick Greaney

BOOK REVIEWS

Amateur Craft: History and Theory reviewed by Amy Twigger Holroyd

Craft and the Creative Economy reviewed by Imogen Racz

Journal of Modern Craft 9.2: Special Issue “Contemporary Asian Craft Worlds”


Editorial Introduction 
by Rebecca M. Brown and Jennifer Way (full text available)

ARTICLES

Geographical Fixity of Affective Ties: How do Artists Respond to Geographical Indications  by Chandan Bose

Dismantling or Rehabilitating the Cult of the Craftsman Paradigm: Some Reflections of Jaidev Baigel’s Practice by Katherine Hacker

Beyond Yet Toward Representation: Diasporic Artists and Craft as Conceptualism in Contemporary Southeast Asia by Pamela N. Corey

“All Art is Part of the Same Constellation”: A Conversation on Craft and Artistic Practice with Heri Dono by Julie Romian

The Emergence of “Craft” and Migrant Entrepreneurship along the Global Commodity Chains for Fast Fashion in Southern China by Nellie Chu

STATEMENT OF PRACTICE

Statement of Practice by Sopheap Pich

PRIMARY TEXT

Commentary by Laurel Kendall

Selections from Human Cultural Treasures by Ye Yonghae

EXHIBITION REVIEWS

“Hand+: Expansion and Coexistance” and “Making Process”: Cheongju International Craft Biennale reviewed by Kevin Murray

“Zakka: Goods and Things” reviewed by Jessica Hemmings

BOOK REVIEWS

Bauhaus Weaving Theory: From Feminine Craft to Mode of Design reviewed by Peta Carlin

The Event of the Thread reviewed by Lynn Setterington