Second Issue of 2009

Editorial introduction

Articles

Style, Skill and Modernity in the Zisha Pottery of China by Geoffrey Gowlland

Elbert Hubbard, Transcendentalism and the Arts and Crafts Movement in America by Jonathan Clancy

Hungarian Pottery, Politics and Identity: Re-presenting the Ceramic Art of Margit Kovacs by Juliet Kinchin

‘Acts of Association: Allison Smith’s Craft as Civic Practice’ (pdf) by Jennifer Geigel Mikulay

Looking is a Way of Touching by Gabriela Gusmao

Commentary by Mireia Freixa and Anna Calvera

Reviews

Application of the Arts to Industry by Salvador Sanpere i Miquel

Design in the Age of Darwin: From William Morris to Frank Lloyd Wright by Baird Jarman

Jean Nouvel Cesar, Anthology by Patricia Ribault

Battleground: War Rugs from Afghanistan by Susan Cahill

Kingdom of Beauty: Mingei and the Politics of Folk Art in Imperial Japan by Alicia Volk

Craft in Dialogue: Six Views on a Practice in Change by Henrietta Lidchi

The first issue of 2009.

Editorial Introduction.

Response

The Quilts of Gee’s Bend: How Great Art Gets Lost by Bernard L. Herman

Articles

Craft and the Dialogics of Modernity: The Arts and Crafts Movement in Late-Victorian and Edwardian England by Tom Crook

Support/Surface or Sculpture/Craft: Considering Barbara Hepworth and Bernard Leach by Penelope Curtis

“Traditional—with Contemporary Form”: Craft and Discourses of Modernity in Slovakia Today by Nicolette Makovicky

Queerly Made: Harmony Hammond’s Floorpieces by Julia Bryan-Wilson
Primary Text

The Designer, the Craftsman and the Manufacturer by David Queensberry
Statement of Practice

The Fiction of Form by Alison Britton
Exhibition

Reviews

Des Wahnsinns fette Beute—Schmuck an der Akademie der Bildende Künste München: Die Klasse Künzli By Liesbeth den Besten

M. Lee Fatherree’s Photography: Evidence of the Artist at Work by Meredith Tromble

Book Reviews

Foreign Bodies by James R. Beighton

Thinking through Craft by Love Jönsson

The Silk Weavers of Kyoto: Family and Work in a Changing Traditional Industry by Morgan Pitelka

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The final issue for 2008

Editorial introduction

Articles

Cleverest of the Clever: Coconut Craftsmen in Lamu, Kenya by Kristina Dziedzic Wright

Disavowing Craft at the Bauhaus: Hiding the Hand to Suggest Machine Manufacture by George H. Marcus

Russel Wright and Japan: Bridging Japonisme and Good Design through Craft by Yuko Kikuchi

British Interventions in the Traditional Crafts of Ceylon (Sri Lanka), c. 1850-1930 by Robin Jones

Statement of Practice

Introduction: Ena de Silva and the Aluwihare Workshops by David G. Robson

Primary Text

Commentary by Alla Myzelev

My Life Impressions Princess Maria Tenisheva (1867-1928)

Exhibition Reviews

Jean Prouvé: The Poetics of the Technical Object by Christopher Wilk

Hands on Movement: A Dialogue with History by Christina Zetterlund

Book Review

What Do Pictures Want? The Lives and Loves of Images by Justin Clemens

The Craftsman by Emmanuel Cooper

The Intangibilities of Form: Skill and Deskilling in Art after the Readymade by Joshua A. Shannon

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