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Journal of Modern Craft 3.3

December 5, 2010 in Table of Contents

Third issue of 2010

Articles

Editorial introduction: Tools of Trades by Jon Wood

Silence and Tools: (Non)verbalizing Sculptor’s Practice by Jyrki Siukonen

The Tortoise and the Hare: Extempore Performance and Sculptural Practice in Eighteenth-century France by Tomas Macsotay

Plastic Pleasures: Reconsidering the Practice of Modeling through Manuals of Sculpture Technique, c.1880-1933 by Ann Compton

Constantin Brancusi and the Image of Trade: Aspects of Trade in the Realm of Modern Fine Arts by Nina Gulicher

Statement of practice

Maxwell’s Silver Hammer by Edward Allington (PDF)

Soliz Clay, Tools and Tooling by Cecile Johnson

New Territories in the Round: Krysten Cunningham in Conversation with Jon Wood

Reviews

The View from Nowhere by Matthew C. Hunter

Evans Warren Seelig: Textile Per Se by Heidi Nasstrom

Making Time: Craft and the Slow Revolution by Martina Margetts

Vicki Halper and Diane Douglas (eds.) Choosing Craft: The Artist’s Viewpoint by Sandra Alfoldy

Elissa Auther  String, Felt, Thread: The Hierarchy of Art and Craft in American Art by Jenni Sorkin

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Journal of Modern Craft 3.2

August 17, 2010 in Table of Contents

Second issue of 2010

Editorial Introduction

Articles

Exogamy in World Craft: A South-South Perspective by Kevin Murray

Et in Suburbia Ego: A Cultural Geography of Craft in the London Suburbs by Lily Crowther

So-called Craft: The Formative Years of Droog Design, 1992-1998 by Timo de Rijk

Virtual Guilds: Collective Intelligence and the Future of Craft by Leonardo Bonanni and Amanda Parkes (pdf)

Towards Sustainable Craft Production in Jamaica by Suzette Wolfe Wilson

Statement of Practice

Tradition in Question: Glassblowing in Murano, Tunisia, and Afghanistan by Patricia Ribault

Primary Text

  • Commentary by Catharine Rossie
  • An Enquiry on Handicrafts Zodiac no. 4/5, 1959

Exhibition Reviews

  • The House of Words reviewed by Helen Carnac
  • Unresolved Matters: Social Utopias Revisited reviewed by Liesbeth Fit
  • Gone With The Wind reviewed by Louise Schouwenberg

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The Journal of Modern Craft 3.1

April 12, 2010 in Table of Contents

JMC 3-1 OFC

JMC 3-1 OFC

First issue of 2010

Editorial Introduction

Articles

The Multiple Modalities of the Copy in Traditional Japanese Craft by Christine M. E. Guth

“Traditional Art Crafts (Dento¯ Ko¯gei)” in Japan: From Reproductions to Original Works by Kida Takuya

Crafting Hip and Cool: David McDiarmid’s Handcrafted Lamb Suede Dancefloor Outifts, 1980–1989 by Sally Gray

Life in a Zulu Village: Craft and the Art of Modernity in South Africa by Anitra Nettleton (pdf)

Statement of Practice

Ardmore Ceramic Art introduced by Fée Halsted and Jennifer Fair Cohen

Primary Text Commentary

Overseas Education and Arts of West Africa by Tanya Harrod

Exhibition Reviews

Industrial Ceramics, or Ceramics at Home? by Alan C. Elder

Crafting Modernist Aesthetics by Hana Leaper

A Crafted Presence by Russell Baldon

Book Reviews

The Craftsman and the Critic: Defining Usefulness and Beauty in Arts and Crafts-Era Boston reviewed by Kenneth L. Ames

The Saturated World: Aesthetic Meaning, Intimate Objects, Women’s Lives, 1890–1940 and “Make It Yourself”: Home Sewing, Gender, and Culture, 1890–1930 reviewed by Leah Dilworth

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