Journal of Modern Craft 7.2

Editorial Introduction

ARTICLES

A Critical Survey of the Growth, Decline and Sustainability of Traditional Pottery Practice among the Igbo of South Eastern Nigeria by Vincent Egwu Ali

Selling Rhinebeck: Confrontation, Profit, and the “Mass Anxiety Attack” of the Northeast Craft Fair by Sarah Warren

Comrade Ohr: Ideal Craftsman and American Socialist by Ellen J Lippert

STATEMENT OF PRACTICE

Floating by Annette Bellamy

PRIMARY TEXT

Commentary by Kristina Rapacki

All Art Ought to Folkelig by Henry Heerup

Intimate Banalities by Asger Jorn

EXHIBITION REVIEWS

Sakahàn: International Indigenous Art reviewed by Sarah E. K. Smith

Matthew Darbyshire: The W. A. Ismay Collection reviewed by Kimberley Chandler

Ai Wei Wei: According to What reviewed by Leopold Kowolik

BOOK REVIEWS

The Invention of Craft Glenn Adamson reviewed by Andrea Peach

Crafting a Better Place to Live: The Argument for Craft Education Howard Cannatella reviewed by Louise Valentine 

Journal of Modern Craft 7.1

Editorial Introduction

ARTICLES

Working Class, Middle Class, Upper Class, Evening Class: Supplementary Education and Craft Instruction 1889-1939 by Stephen Knott (available for free for a limited period)

A Sign of the Times: Sheila Hicks, The Fiber Arts Movement, and the Language of Liberation by Cynthia Fowler

Pottery in Drag: Beatrice Wood and Camp by Jenni Sorkin

STATEMENT OF PRACTICE

Full Circle by Duncan Hooson

PRIMARY TEXT

Commentary and Interview by Catharine Rossi

Made in Italy: A Decade of Change by Stefano Micelli

EXHIBITION REVIEWS

Design for the Modern Child reviewed by Amy F. Ogata

Grete Marx: When Design was Degenerate reviewed by Priyanka Basu

Giorgio Casali: Photographer / Domus 1951-1983 – Architecture, Design and Art in Italy reviewed by Catharine Rossi

BOOK REVIEWS

Knitting: Fashion, Industry, Craft Sandy Black reviewed by Alla Myzelev

The Allied Arts: Architecture and Craft in Postwar Canada Sandra Alfoldy reviewed by Juliette MacDonald

Depression: A Public Feeling Ann Cvetkovich reviewed by Rachel Elizabeth Jones

 

 

Journal of Modern Craft 6.3

Editorial Introduction

ARTICLES

Temporality, Critique, and the Vessel Tradition: Bernard Leach and Marcel Duchamp by John Roberts

Mass Production as an Academic Imaginary (or, if more must be said of Marcel “Evacuating Duchamp in the Age of Recursive Scholarship”) by Ezra Shales

English Pottery by Rackham and Read: A Question of Attribution by Jeffrey Jones

The Emergence of Modern Ceramics in Nigeria: The Kenneth Murray Decade, 1929-39 by Ozioma Onuzulike

STATEMENT OF PRACTICE

Factory Craft: Art and Industry in Conversation by Ethan W. Lasser

PRIMARY TEXT

Commentary by Simon Olding

Report on the Centralised Control of the Artist Craftsman by W. K. Slater

EXHIBITION REVIEWS

Social Fabric reviewed by Micol Hebron

Hand Made: Long Live Crafts reviewed by Joana Ozorio de Almeida Meroz

BOOK REVIEWS

Lucie Rie: Modernist Potter Emmanuel Cooper reviewed by Jeffrey Jones

The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and Counterculture Tanya Harrod reviewed by Damian Skinner