Journal of Modern Craft 7.1

Editorial Introduction

ARTICLES

Working Class, Middle Class, Upper Class, Evening Class: Supplementary Education and Craft Instruction 1889-1939 by Stephen Knott (available for free for a limited period)

A Sign of the Times: Sheila Hicks, The Fiber Arts Movement, and the Language of Liberation by Cynthia Fowler

Pottery in Drag: Beatrice Wood and Camp by Jenni Sorkin

STATEMENT OF PRACTICE

Full Circle by Duncan Hooson

PRIMARY TEXT

Commentary and Interview by Catharine Rossi

Made in Italy: A Decade of Change by Stefano Micelli

EXHIBITION REVIEWS

Design for the Modern Child reviewed by Amy F. Ogata

Grete Marx: When Design was Degenerate reviewed by Priyanka Basu

Giorgio Casali: Photographer / Domus 1951-1983 – Architecture, Design and Art in Italy reviewed by Catharine Rossi

BOOK REVIEWS

Knitting: Fashion, Industry, Craft Sandy Black reviewed by Alla Myzelev

The Allied Arts: Architecture and Craft in Postwar Canada Sandra Alfoldy reviewed by Juliette MacDonald

Depression: A Public Feeling Ann Cvetkovich reviewed by Rachel Elizabeth Jones

 

 

Journal of Modern Craft 6.3

Editorial Introduction

ARTICLES

Temporality, Critique, and the Vessel Tradition: Bernard Leach and Marcel Duchamp by John Roberts

Mass Production as an Academic Imaginary (or, if more must be said of Marcel “Evacuating Duchamp in the Age of Recursive Scholarship”) by Ezra Shales

English Pottery by Rackham and Read: A Question of Attribution by Jeffrey Jones

The Emergence of Modern Ceramics in Nigeria: The Kenneth Murray Decade, 1929-39 by Ozioma Onuzulike

STATEMENT OF PRACTICE

Factory Craft: Art and Industry in Conversation by Ethan W. Lasser

PRIMARY TEXT

Commentary by Simon Olding

Report on the Centralised Control of the Artist Craftsman by W. K. Slater

EXHIBITION REVIEWS

Social Fabric reviewed by Micol Hebron

Hand Made: Long Live Crafts reviewed by Joana Ozorio de Almeida Meroz

BOOK REVIEWS

Lucie Rie: Modernist Potter Emmanuel Cooper reviewed by Jeffrey Jones

The Last Sane Man: Michael Cardew: Modern Pots, Colonialism, and Counterculture Tanya Harrod reviewed by Damian Skinner

 

Journal of Modern Craft 6.2

Editorial Introduction

ARTICLES

Collaborative Craft Capabilities: The Bodyhood of Shared Skills by Otto von Busch

Stitching (for) His Life: Morris William Larkin’s Prisoner of War Sampler by Maureen Daly Goggin

Promoting Craft in British Malaya, 1900-1940 by Hwei-Fen Cheah

Sanaugait in Nunavut by Alena Buis and Sarah E. K. Smith

STATEMENT OF PRACTICE

Homeless Practices by Frida Hållander

PRIMARY TEXT

Commentary David Whiting

Britisk Brugkunst, Introduction and Extracts Steen Eiler Rasmussen

EXHIBITION REVIEWS

Lenore Tawney: Wholly Unlooked For reviewed by Jack Livingston, in conjunction with Peter Boyce

BOOK REVIEWS

Thomas Day: Master Craftsman and Free Man of Color reviewed by Ann Smart Martin

The Art of Not Making: The New Artist/Artisan Relationship; The Power of Making: The Importance of Being Skilled reviewed by Sophie Raikes

Arts and Crafts, Neitzsche und die frühe Brücke. Studien zur Graphick Ernst Ludwig Kirchners reviewed by Christian Weikop