Editorial Introduction (full text available)

ARTICLES

“Whalecraft”: Clifford Warren Ashley and Whaling Craft Culture in Industrial New Bedford by Nicole J. Williams

Seeking the Truth in Terrazzo: Digital Practices and Traditional Craft by Katia Porro

The Workmanship of Risk Meets Reality TV: The History Channel’s Forged in Fire by Lee Barron

STATEMENT OF PRACTICE

Traditional Lute Making, With One Hand Occasionally on the Mouse by Luke Emmett

PRIMARY TEXT

Commentary by Giovanni Contini

Creativity at Work: Miners and Quarrymen in Tuscany by Giovanni Contini

EXHIBITION REVIEWS

The Dye Garden by Yto Barrada reviewed by Anna Dumont

Restating Clay Conference reviewed by Martina Margetts (conference review)

BOOK REVIEWS

Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts reviewed by Paul Harper

The World Beyond Your Head: On Becoming and Individual in an Age of Distraction reviewed by Gert Hasenhütl

Editorial Introduction (full text available)

ARTICLES

Contemporary handspinning in the United States by Mathilde Francis Lind

The Eternal Renewal of Handweaving by Sarah Mills

The Real Thing: Craft, Caste and Commerce Admidst a Nationalism of Tradition in India by Sowparnika Balaswaminathan

STATEMENT OF PRACTICE

Htein Lin in Conversation with Gill Pattison by Htein Lin & Gill Pattison

PRIMARY TEXT

Commentary by Glenn Adamson

Man the Modifier by S. P. R. Charter

EXHIBITION REVIEWS

Grant Wood: American Gothic and Other Fables reviewed by Ulysses Grant Dietz

The Crafting History: Textiles, Metals, and Ceramics at the University of Georgia reviewed by Alicia Ory DeNicola & Catherine Chastain-Elliott

BOOK REVIEWS

Craftwork as Problem Solving: Ethnographic Studies of Design and Making reviewed by Helen Carnac

Live Form, Women, Ceramics and Community reviewed by Moira Vincentelli

Editorial Introduction (full text available)

ARTICLES

Recurring Aesthetics, Emergent Traditions: Wendell Castle’s Continued Relevance to Corporate Culture by Kayleigh Perkov

Art/Work: J.B. Blunk, Isamu Noguchi and the Intersection of Sculputre and Skilled Labor by Holly Gore

Chance and Tradition in the Architectural Ceramics of Assemble by Daisy Charles

The Magic in the Dye Pot: Mable Morrow, Alice Kagawa Parrott, and Sites of Exchange in Modern Weaving by Ann Marguerite Tartsinis

STATEMENT OF PRACTICE

Cigarettes, Saliva, Art: Laboratory Experience in Florence, Italy by Grace Kim

PRIMARY TEXT

Interview with Christine Ax by Gert Hasenhütl

EXHIBITION REVIEWS

I Craft, I Travel Light reviewed by André Gali

The US-Mexico Border: Place, Imagination, and Possibility reviewed by Matthew K. Limb

BOOK REVIEWS

Show and Tales: On Jewelry Exhbition-Making reviewed by Roberta Bernabei

New Directions in Ceramics: From Spectacle to Trace reviewed by Glen R. Brown