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	<title>The Journal of Modern Craft &#187; Britain</title>
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	<link>http://journalofmoderncraft.com</link>
	<description>Academic research on craft</description>
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		<title>Journal of Modern Craft 2.3</title>
		<link>http://journalofmoderncraft.com/notice/journal-of-modern-craft-2-3</link>
		<comments>http://journalofmoderncraft.com/notice/journal-of-modern-craft-2-3#comments</comments>
		<pubDate>Sun, 06 Dec 2009 03:10:23 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Notices]]></category>
		<category><![CDATA[Table of Contents]]></category>
		<category><![CDATA[Britain]]></category>
		<category><![CDATA[Germany]]></category>
		<category><![CDATA[Ireland]]></category>
		<category><![CDATA[puppetry]]></category>
		<category><![CDATA[South Africa]]></category>
		<category><![CDATA[Spain]]></category>
		<category><![CDATA[theory]]></category>
		<category><![CDATA[USA]]></category>

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		<description><![CDATA[Journal of Modern Craft 2-3 Third issue of 2009 Editorial Introduction Articles A Ghost in the Machine Age: The Westerwald Stoneware Industry and German Design Reform, 1900–1914 by Freyja Hartzell A Catalan Werkstätte? Arts and Crafts Schools between Modernisme and Noucentisme by Jordi Falgàs Early Expressions of Anthroposophical Design in America: The Infuence of Rudolf [...]]]></description>
			<content:encoded><![CDATA[<div class="wp-caption alignleft" style="width:173px;">
	<a href="http://journalofmoderncraft.com/wordpress/wp-content/uploads/2009/12/JournalofModernCraft23.jpg"><img src="http://journalofmoderncraft.com/wordpress/wp-content/uploads/2009/12/JournalofModernCraft23_thumb.jpg" alt="Journal of Modern Craft 2-3" width="173" height="244" /></a>
	<p class="wp-caption-text">Journal of Modern Craft 2-3</p>
</div> Third issue of 2009</p>
<p><a href="http://www.journalofmoderncraft.com/docs/Editorial23.pdf" target="_blank">Editorial Introduction</a></p>
<h2>Articles</h2>
<p><strong>A Ghost in the Machine Age: The Westerwald Stoneware Industry and German Design Reform, 1900–1914</strong> by Freyja Hartzell</p>
<p><strong>A Catalan Werkstätte? Arts and Crafts Schools between Modernisme and Noucentisme</strong> by Jordi Falgàs</p>
<p><strong>Early Expressions of Anthroposophical Design in America: The Infuence of Rudolf Steiner and Fritz Westhoff on Wharton Esherick</strong> by Roberta A. Mayer and Mark Sfrri</p>
<h3>Primary Text Commentary</h3>
<p><strong>Design in Ireland: Report of the Scandinavian Design Group in Ireland, April 1861</strong>, by Paul Caffrey </p>
<h3>Statement of Practice</h3>
<p><strong><a href="http://www.journalofmoderncraft.com/docs/Kohler.pdf" target="_blank">Handspring Puppet Company by Adrian Kohler, Basil Jones and Tommy Luther</a> (pdf)</strong></p>
<h2>Exhibition Reviews</h2>
<p><em>Craft in its Gaseous State: Wouldn’t It Be Nice … Wishful Thinking in Art and Design</em> by Mònica Gaspar</p>
<p><em>Quiet Persuasion: Political Craft</em> by Geraldine Craig</p>
<h2>Book Reviews</h2>
<p><em>A Theory of Craft: Function and Aesthetic Expression</em> reviewed by Sandra Alfoldy</p>
<p><em>Designing Modern Britain r</em>eviewed by Peter Hughes</p>
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		<title>Journal of Modern Craft 1.3</title>
		<link>http://journalofmoderncraft.com/table-of-contents/journal-of-modern-craft-13</link>
		<comments>http://journalofmoderncraft.com/table-of-contents/journal-of-modern-craft-13#comments</comments>
		<pubDate>Sun, 28 Dec 2008 12:48:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Table of Contents]]></category>
		<category><![CDATA[Bauhaus]]></category>
		<category><![CDATA[Britain]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Kenya]]></category>
		<category><![CDATA[Sri Lanka]]></category>

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		<description><![CDATA[The final issue for 2008 Editorial introduction Articles Cleverest of the Clever: Coconut Craftsmen in Lamu, Kenya by Kristina Dziedzic Wright Disavowing Craft at the Bauhaus: Hiding the Hand to Suggest Machine Manufacture by George H. Marcus Russel Wright and Japan: Bridging Japonisme and Good Design through Craft by Yuko Kikuchi British Interventions in the [...]]]></description>
			<content:encoded><![CDATA[<p>The final issue for 2008</p>
<p>  <a title="/docs/editorial (Issue 1-3).pdf (/docs/editorial (Issue 1-3).pdf)" href="http://journalofmoderncraft.com/docs/editorial (Issue 1-3).pdf" target="_blank">Editorial introduction</a></p>
<p class="SectionHead">Articles</p>
<p><strong>Cleverest of the Clever: Coconut Craftsmen in Lamu, Kenya </strong>by Kristina Dziedzic Wright</p>
<p><strong>Disavowing Craft at the Bauhaus: Hiding the Hand to Suggest Machine Manufacture</strong> by George H. Marcus</p>
<p><strong>Russel Wright and Japan: Bridging Japonisme and Good Design through Craft</strong> by Yuko Kikuchi</p>
<p><strong>British Interventions in the Traditional Crafts of Ceylon (Sri Lanka), c. 1850-1930</strong> by Robin Jones</p>
<p class="SectionHead">Statement of Practice</p>
<p>Introduction: Ena de Silva and the Aluwihare Workshops by David G. Robson</p>
<p class="SectionHead">Primary Text</p>
<p><strong>Commentary</strong> by Alla Myzelev</p>
<p><strong>My Life Impressions </strong>Princess Maria Tenisheva (1867-1928)</p>
<p class="SectionHead">Exhibition Reviews</p>
<p><em>Jean Prouvé: The Poetics of the Technical Object</em> by Christopher Wilk</p>
<p><em>Hands on Movement: A Dialogue with History</em> by Christina Zetterlund</p>
<p class="SectionHead">Book Review</p>
<p><em>What Do Pictures Want? The Lives and Loves of Images</em> by Justin Clemens</p>
<p><em>The Craftsman</em> by Emmanuel Cooper</p>
<p><em>The Intangibilities of Form: Skill and Deskilling in Art after the Readymade </em>by Joshua A.<em> </em>Shannon</p>
<p>To order a copy, go <a title="http://www.bergpublishers.com/?tabid=3254 (http://www.bergpublishers.com/?tabid=3254)" href="http://www.bergpublishers.com/?tabid=3254">here</a>.<br />
</body></p>
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