Now that I am based primarily in Tasmania, it has been a pleasure to visit the cosmopolitan “mainland”, over the past few days. For example, I have just had a teatime chat with Dr. Dorothy Jones (b. New Zealand, based South of Sydney NSW; Jones writes on the links between postcolonial novels, needlework; she was [...]
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Recent Posts
- African pottery in South Africa: Life after the village by Steven Smith
- African Craft: the Ghetto of the Village, the Penthouse of the Studio by Pamela Allara
- Hlengiwe Dube – African craft aspiring to gallery status
- Spirit in a spear blade – Mande Blacksmiths
- The place of African craft: studio or village?
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The Journal of Modern Craft offers academic perspectives on all aspects of craft within the condition of modernity, from the mid-19th century to the present day, without geographical or disciplinary boundary. The journal is published 3 times a year by Berg Publishers
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- Steven Smith: Thank you Kevin for your comment. Contemporary African ceramics (in South Africa) is certainly a hybrid...
- Editor: Stephen, thanks for an important article about the development of modern South African ceramics. Like most...
- Glenn Adamson: Thank you for this wonderful post Pamela – it resonates very well with the contents of the issue...
- Dr Lycia Trouton: From The Academe: in regards to what Editor Dr. Kevin Murray asks above, referring to...
- sarah: QUALITY I really like this blog, now im not 1 for adding links in my replies but I feel this is a great...
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