The online theme for 2.3 is the broad relation between African craft cultures and the modern craft movement. To a large degree, the development of modern craft has coincided with the relocation of craft practice from the village to the studio – from cottage industry to the artistic production of unique objects. Does modern African craft follow a similar path? Does the origin of much African craft tradition in collective ritual entail a loss of meaning when an object is transferred into the cold and quiet space of a gallery? Does this limit the capacity for individual African craftspersons to participate in the international craft arena?
For this issue, we invite those working in the field of African craft to share their thoughts on issues special to their area.