
SPECIAL ISSUE: THE HAND AND THE MACHINE IN INTERWAR EUROPE
Editorial Introduction by Rachel Barron-Duncan and Toby Norris
ARTICLES
Industry, Craft, Modern Architecture, and Regional Identity at the Paris 1925 and 1938 Interional Expositions by Peter Clericuzio
Cleanliness, Clarity – and Craft: Material Politics in German Design, 1919-1939 by Freyja Hartzell
Craftsmanship and Industrial Production of Italian Furniture During the Interwar Period by Silvia Barisone
Building the Machine in the Workshop: the Maison du Peuple of Clichy, 1935-40 by Ariela Katz
Materials, Artistic Craftwork, and Modernist Furniture Design: The Kuyken Firm in the Netherlands and Belgium 1918-1940 by Marjan Groot
STATEMENT OF PRACTICE
Revising the Past: A Conversation with Sjoerd Vroonland by Rachel Barron-Duncan and Sjoerd Vroonland
PRIMARY TEXT
Exceprts from Système des Beaux Arts [System of the Fine Arts], 1920 by Alain (Pseudonym of Émile Chartier)
Exhibition Reviews
Covid-19 Global Quilt by Marybeth C. Stalp
Let’s Face It: Mask Design Competition by Caroline Kipp
BYOC (Bring-Your-Own-Craft) by Suzanne Hudson
BOOK Reviews
The Shape of Craft by Kristina Wilson
Networks, Labour and Migration Among Muslim Artisans by Dorothy Armstrong