Journal of Modern Craft 14.2

Editorial Introduction 

The Origins of The Journal of Modern Craft by Tanya Harrod

Tradition, Modernisation, Création: Tensions in French Craft, 1960-1990 by Forrest Pelsue

The Art-Craft Boundary in Contemporary Central China: The Case of Root Carving by Chang Wu and Xu Wu

STATEMENT OF PRACTICE

Plaisir d’offrir: Interview with Florent Dubois by Florent Dubois and Stephen Knott

PRIMARY TEXT

With These Hands: The Rebirth of the American Craftsman (1970) by Mina Warchavchik Hugerth

Exhibition Reviews

Sophie Taeuber-Arp: Living Abstraction by Naomi Sherrer

Jeffrey Gibson: It Can Be Said of Them by Sara Morris

Sanford Biggers: Codeswitch by Janneken Smucker

BOOK Reviews

Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect by Sarah Louise Cowan

Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania by Léuli Eshrāgi

Journal of Modern Craft 14.1

Editorial Introduction 

THE ART OF MASKS SERIES

Masks for this Medical Moment. July 7, 2020  by Caroline Kipp and Ana María Rule

Sustainability and Mask Making. July 8, 2020 by Caroline Kipp and Yasmin Ahram

Masks, Art, Protection and Politics. July 15, 2020 by Caroline Kipp and Kate Kretz

Fashion and Disease Prevention. July 16, 2020. by Caroline Kipp and Alison Matthews David

Fashioning Masks. July 20, 2020 by Caroline Kipp and Erin Robertson

ARTICLES

“Blue-Slipped Stone-Burst” Seeing Desctructive Plasticity in Takuro Kuwata by David Stent

Exploring the Sea as Studio: The Importance of Labor and Lesiure in Sailor Folk Art by Mirelle Luecke

STATEMENT OF PRACTICE

Interview with Jessie Little Doe Baird and Jason Baird by Glenn Adamson

PRIMARY TEXT

Commentary by Anya Montiel

The Lure and Lore of Indian Art” American Way (June 1971)  by Vincent Price

Exhibition Reviews

Sleight of Hand by Anna Helgeson

We Will Walk: Art and Resistance in the American South  by Lucie Edematie

Kai Althoff Goes with Bernard Leach by Aaron Angell

BOOK Reviews

Today’s Anthology for Tomorrow’s Crafts; CRAFT by Imogen Hart and Jorunn Veiteberg

Journal of Modern Craft 13.3

SPECIAL ISSUE: THE HAND AND THE MACHINE IN INTERWAR EUROPE

Editorial Introduction by Rachel Barron-Duncan and Toby Norris

ARTICLES

Industry, Craft, Modern Architecture, and Regional Identity at the Paris 1925 and 1938 Interional Expositions  by Peter Clericuzio

Cleanliness, Clarity – and Craft: Material Politics in German Design, 1919-1939 by Freyja Hartzell

Craftsmanship and Industrial Production of Italian Furniture During the Interwar Period by Silvia Barisone

Building the Machine in the Workshop: the Maison du Peuple of Clichy, 1935-40 by Ariela Katz

Materials, Artistic Craftwork, and Modernist Furniture Design: The Kuyken Firm in the Netherlands and Belgium 1918-1940 by Marjan Groot

STATEMENT OF PRACTICE

Revising the Past: A Conversation with Sjoerd Vroonland by Rachel Barron-Duncan and Sjoerd Vroonland

PRIMARY TEXT

Exceprts from Système des Beaux Arts [System of the Fine Arts], 1920 by Alain (Pseudonym of Émile Chartier)

Exhibition Reviews

Covid-19 Global Quilt by Marybeth C. Stalp

Let’s Face It: Mask Design Competition by Caroline Kipp

BYOC (Bring-Your-Own-Craft) by Suzanne Hudson

BOOK Reviews

The Shape of Craft  by Kristina Wilson

Networks, Labour and Migration Among Muslim Artisans by Dorothy Armstrong