Editorial Introduction (full text available)

ARTICLES

Burnishing History: The Legacies of Maria Martinez and Nesta Nala in Dialogue: Part I: An Historian’s Perspective by Elizabeth Perrill

Burnishing History: The Legacies of Maria Martinez and Nesta Nala in Dialogue: Part II: An Artist’s Conversation by Barbara Gonzales, Jabulile Nala, Thembile Nala, Elizabeth Perrill (editor/facilitator), Nozipho Zulu (translator/faciliator), Nomusa Mabaso (transcription)

Needlepoint for Men: Craft and Masculinity in Postwar America by Joseph McBrinn

Selling Pictorialist Photography as Craft: Alice Austin’s Artistic Production and Role in the Boston’s Society of Arts and Crafts between 1900 and 1933 by Caroline M. Riley

STATEMENT OF PRACTICE

Peripatetic Making: a borrowed space, time continuum by Phoebe Cummings

PRIMARY TEXT

Commentary by Ewan Clayton

Visiting Edward Johnston by Margaret Alexander

EXHIBITION REVIEWS

Beadwork, Art and the Body: Dilo Tse Dints/Abundance reviewed by Hlonipha Mokoena

WEGNER – Just One Good Chair reviewed by Joakim Borda-Pedreira

All the World’s Futures: The Venice Biennale 2015 reviewed by Glenn Adamson

BoOk REVIEWS

Craft, Community and the Material Culture of Place and Politics, 19th – 20th Century reviewed by Emma Ferry

Intimate Collaborations: Kandinsky & Munter, Arp & Taueber reviewed by Andrea Feeser