Guest editors, Maria Elena Buszek (University of Colorado Denver)
and Kirsty Robertson (University of Western Ontario)
Coined by artists and collectives in the wake of the September 11th, 2001 attack on the World Trade Center, the term “craftivism” relates to creative, traditional handcraft (often, assisted by high-tech means of community-building, skill-sharing, and action) directed toward political and social causes. For this special issue of Utopian Studies, we invite practitioners, scholars, and curators to submit work related to the history, criticism, and myriad practices of craftivism. Subjects and strategies might include: historical or present examples of activist practice that uses craft; issues of production, manufacture or use that might intersect with craftivism; discussions of the successes or limits of craftivist practice; considerations of feminist craft practice that traverse (or are collapsed into) wider social issues and movements. Papers might also take a wider frame, looking at craft and economic globalization, NGO work or the use of craft in cultural brokering. Please note that this issue’s editors are interested in praxis as well as scholarship, and encourage makers to submit statements, manifestos, and/or imagery for consideration.
Utopian Studies is a biannual, peer-reviewed journal publishing scholarly articles on a wide range of subjects related to utopias, utopianism, utopian literature, utopian theory, and intentional communities. All submissions must be sent by JANUARY 17TH 2011 via the journal’s online editorial manager at: http://www.editorialmanager.com/uts/ Utopian Studies’ submission guidelines are also available online: http://www.utoronto.ca/utopia/journal/guidelines.html