JMC 3-1 OFC
First issue of 2010
Articles
The Multiple Modalities of the Copy in Traditional Japanese Craft by Christine M. E. Guth
“Traditional Art Crafts (Dento¯ Ko¯gei)” in Japan: From Reproductions to Original Works by Kida Takuya
Crafting Hip and Cool: David McDiarmid’s Handcrafted Lamb Suede Dancefloor Outifts, 1980–1989 by Sally Gray
Life in a Zulu Village: Craft and the Art of Modernity in South Africa by Anitra Nettleton (pdf)
Statement of Practice
Ardmore Ceramic Art introduced by Fée Halsted and Jennifer Fair Cohen
Primary Text Commentary
Overseas Education and Arts of West Africa by Tanya Harrod
Exhibition Reviews
Industrial Ceramics, or Ceramics at Home? by Alan C. Elder
Crafting Modernist Aesthetics by Hana Leaper
A Crafted Presence by Russell Baldon
Book Reviews
The Craftsman and the Critic: Defining Usefulness and Beauty in Arts and Crafts-Era Boston reviewed by Kenneth L. Ames
The Saturated World: Aesthetic Meaning, Intimate Objects, Women’s Lives, 1890–1940 and “Make It Yourself”: Home Sewing, Gender, and Culture, 1890–1930 reviewed by Leah Dilworth