Third issue of 2010
Articles
Editorial introduction: Tools of Trades by Jon Wood
Silence and Tools: (Non)verbalizing Sculptor’s Practice by Jyrki Siukonen
The Tortoise and the Hare: Extempore Performance and Sculptural Practice in Eighteenth-century France by Tomas Macsotay
Plastic Pleasures: Reconsidering the Practice of Modeling through Manuals of Sculpture Technique, c.1880-1933 by Ann Compton
Constantin Brancusi and the Image of Trade: Aspects of Trade in the Realm of Modern Fine Arts by Nina Gulicher
Statement of practice
Maxwell’s Silver Hammer by Edward Allington (PDF)
Soliz Clay, Tools and Tooling by Cecile Johnson
New Territories in the Round: Krysten Cunningham in Conversation with Jon Wood
Reviews
The View from Nowhere by Matthew C. Hunter
Evans Warren Seelig: Textile Per Se by Heidi Nasstrom
Making Time: Craft and the Slow Revolution by Martina Margetts
Vicki Halper and Diane Douglas (eds.) Choosing Craft: The Artist’s Viewpoint by Sandra Alfoldy
Elissa AutherĀ String, Felt, Thread: The Hierarchy of Art and Craft in American Art by Jenni Sorkin